Day 2: Storytelling Workshop by Dr. Eric Miller

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Dr Eric Miller of World Storytelling Institute

On Day 2 (March 6) at Akāra 2012 between 11 am and 2 pm is a storytelling workshop by Dr Eric Miller of the World Storytelling Institute. The following is his life narrative.

Eric Edwin Miller was born in midtown Manhattan, New York City, where he was raised by his parents, Edwin Miller (Entertainment Editor of Seventeen Magazine,’46-’88) and Lydia Joel (Editor-in-Chief of Dance Magazine,’56-’70; Chair of the Dance Department of NYC’s High School of the Performing Arts, ’72-’84).

Dr. Miller developed his interest in storytelling in the following manner:  Throughout high school and college, Dr. Miller was involved with theatre as a writer, director, and performer.  As an undergraduate, he was introduced to the study of Folklore by Dr. Phyllis Gorfain of the Department of English, Oberlin College.  Back in NYC, in his early twenties, Dr. Miller met Laura Simms — a storyteller, educator, and leader of the modern revival of storytelling — and he began studying with and working for her, eventually doing two Independent Studies with her, both as an undergraduate and a graduate student at NYU.

Throughout much of the ’80s and ’90s, Dr. Miller was based in New York City’s East Village.  Here he worked as a video documenter of performances; and as a performance and video-installation artist, eventually using videoconferencing in these events also.

In ’88, Dr. Miller entered the Gallatin School M.A. program to further his studies of oral narrative and interactive telecommunication.  The Gallatin School enables one to study in various parts of NYU, and Dr. Miller did much of his M.A. coursework in the Interactive Telecommunication Program (Tisch School of the Arts).

He conducted fieldwork in Tamil Nadu, south India, from July ’88 to July ’89; and then again, from Jan. ’91 to Nov. ’91.  He collected data regarding: traditional storytelling techniques, attending folk and orthodox storytelling performances and videotaping some of them; and the Silappathikaram (Epic of the Anklet), a central epic of the Tamil people.  He walked 250 miles in the footsteps of Kannagi, the heroine of the epic, and visited a tribe said to have been founded by Kannagi some 1600 years ago.

In 1991, while in Madras (now Chennai), Mr. Miller self-published a booklet entitled, “Tamil Nadu’s Silappathikaram (Epic of the Anklet): Ancient Story and Modern Identity.

Dr. Miller’s M.A. thesis surveyed visual accompaniments used by storytellers, and argued for the inclusion of electronic imagery on a large screenin that family.  Dr. Miller received his M.A. degree in 1996.

Dr. Miller studies storytelling (oral narrative) as it occurs in everyday conversation, as well as in various more formal contexts.  Sociolinguistic and sociokinetic processes — as they occur both face-to-face and as mediated by interactive telecommunication technology — constitute the basic subject matter of his scholarship.

He is helping to establish Storytelling Studies as an interdisciplinary field in academia.   From ’08 to ’11 he was a part-time professor of story and storytelling at the Image College of Art, Animation, and Technology, which is based in Chennai.  In ’07, in Chennai, he co-founded the World Storytelling Institute.

Dr. Miller enjoys the combination of teaching college students, leading storytelling workshops (for parents, teachers, businesspeople, etc), and working in the new media industry.  He enjoys facilitating and participating in storytelling-related videoconferenced training and performances around the world, and is developing simultaneous translation systems for such use.  Dr. Miller serves as a technical director of civic, artistic, business, educational, and other types of videoconferences.  His career is dedicated to democracy and peace, and to alleviating suffering, through the use of the most ancient and modern of communication technologies.

Dr. Miller has settled in Chennai, where he and Magdalene Jeyarathnam (a Chennai native, and founder-director of the Center for Counselling) have married, and are raising their daughter.

Day 2 Highlight: Meet The Author

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Mr. Krishna Shastri Devulapalli

Krishna Shastri Devulapalli is a cartoonist, children’s illustrator and graphic designer. In his multifarious career, he has worked in advertising, designed hundreds of greeting cards, illustrated school textbooks and written film scripts. Ice Boys in Bell-Bottoms is his first novel.

Hyderabad-born Krishna Shastri Devulapalli’s new book Ice boys in Bell Bottoms takes one back to the ’70s. Devulapalli, who is also an illustrator, cartoonist and graphic designer, says that the book took him a few years of work, written between juggling his various other assignments.

In this coming-of-age novel, Gopi’s life is defined by his maverick, temperamental and popular poet- grandfather and talented but elusive artist-father. Growing up negotiating annoying siblings and eccentric neighbours, he becomes what the author describes as Hollywood-obsessed, pulp fiction reading, know-all, willing to twist the truth for a movie ticket, and gamble it all away for a good-time guy.

“We hardly have any humorous books in India. Most of them are IT and business related and not many of them make you laugh,” he says. A 15-year-old wrote a review on a popular website saying that the book made her wish that she could go back to the ’70s. This according to him was one of the best reviews.

Talking about his Hyderabad connection, the writer says, “I am Telugu; I was born in Hyderabad, then I moved to Chennai. Hyderabad has changed a lot. It had its unique culture earlier but now it looks like any other city in India. My grandfather was working in Hyderabad, coming here for the book launch is like homecoming.” Ice boys in Bell Bottoms is the first part of a trilogy that he has planned, the next one is Rally Days and Disco Nights on the ’80s after which there will be another one on the ’90s.

Day 1 Highlight: Guest of Honour – Ms Sandhya Rao

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Guest of Honour at Akāra 2012: Children's Literature

Ms Sandhya Rao, the Guest of Honour at Akāra, is Senior Editor at Tulika Publishers. One of the finest writers for children in India today, her books have won awards and accolades: My Friend the Sea won the Ambitious Children’s Book Project award at the Berlin Children and Youth Literature Festival, 2005. My Mother’s Sari was chosen as an Outstanding International Book, 2007, by the United States Board for Books for Young People (USBBY) and the Children’s Book Council. Rights to the book have been sold for USA, Canada, Australia and the U.K.

But what Sandhya cherishes most is that she has been able to follow her dream – doing books for children. For this, she cheerfully gave up a promising career in mainstream journalism and joined longtime friend Radhika to create multilingual books for children at a time when independent children’s publishing in India was nascent. She has written over 20 books and translated Astrid Lindgren’s Pippi Longstrump into Hindi. Sandhya has an eclectic taste in books, music and films and likes to ‘make’ things. She loves listening to stories, especially real stories. She occasionally writes for The Hindu-Business Line and Housecalls. She enjoys different kinds of vegetarian cuisine and lives in Chennai. Sweden is her heart’s home.

Akāra 2012: World is Puddle-Wonderful

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Akāra 2012 is here! The theme this year is Children’s Literature. The event has gone bigger this time around with intercollegiate competitions on the first day and workshops and interactive sessions scheduled for the second day.

Events on Day 1 (Monday, March 5)

9 am to 11 am: Prayer – Welcome address – Principal’s address – Keynote address by the Guest of Honour Ms. Sandhya Rao of Tulika Books (http://www.tulikabooks.com)

11 am to 1.30 pm: Competitions

1.30 pm to 2 pm: Lunch break

2 pm to 4 pm: Competitions

4 pm to 5 pm: Felicitation and Prize Distribution

Events on Day 2 (Tuesday, March 6)

9 am to 11am: Meet the Author  – Interact with Mr. Krishna Shastri Devulapalli, a cartoonist, children’s illustrator and graphic designer. In his multifarious career, he has worked in advertising, designed hundreds of greeting cards, illustrated school textbooks and written film scripts. Ice Boys in Bell-Bottoms, his first and recent novel, was an instant success.

11 am to 2 pm: Storytelling Workshop – Participate in a workshop by Dr. Eric Miller of World Storytelling Institute focusing on the key aspects of storytelling and the critical concerns of a writer of children’s books. Participants are to pay a fee of Rs. 50 towards the Workshop  at the Registration Desk.

2 pm to 3 pm: Lunch break

3 pm to 5 pm: Performance Storytelling Competition– Do you have a story to tell? Can you perform the narration on stage? Have you seen the famous sequence where Nagesh narrates a horror story to Ballayya in the classic comedy film Kadhalikka Neramillai? Can you render a lively and creative performance of  your original script on stage? Then this is for you! Bring your script to Akāra and Akāra will bring to you the stage!

Participants are requested to register online for all events at www.tinyurl.com/register-akara

Contact us at: theenglishassociation@gmail.com
Check our blog: www.formisborn.wordpress.com
Visit our Facebook page: www.facebook.com/akara.mcc

Akāra 2012: Competitions

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Akāra 2012: Children’s Literature (March 5 & 6 2012)

Competitions

Day 1 (March 5)

ON STAGE EVENTS

1. Dub Thee Sir Differently – Team event – (2 participants per team)

Stage time: 1 min video clip + 2 min prep + 1 min dubbing

You will be shown a minute long muted video clip. Use your imagination and dub your own script for the sequence. Creativity and sense of humour get top scores.

2. What if! – Team event – up to 7 per team

Stage time: 8 min + 2 min

What if one of those fairy tales you have read did not only have a happy ending, but say… had a hilarious bending. What if!… Play ‘Fate’ in the lives of unassuming fairy tale characters. Act out the confounding consequences. Creativity and sense of humour get top scores.

For instance, what if the magic slippers had fit the step mother instead of Cinderella 😀

3. Quizzically Yours – Team event – (3 per team and 3 teams per college)

Stage time: Quiz Master’s mercy

Alohomora! Let the top floor doors be open!

Test your knowledge on Children’s Literature! The quiz is conducted at three levels: Prelims (OFF STAGE), Anchor Yourself (ON STAGE) and a surprise finale round (ON STAGE). Quiz Master is God! And His will be done!

4. The Trial at Villainsville! – Individual event

Stage time: 3 min

Be the villain! Defend yourself as your favourite super-villain at the trial. You don’t have to be reasonable or serious; just be politically correct. Draw on the features and feats of your villain and justify his actions. Remember, your sense of humour could potentially save or shave your character’s head!

OFF STAGE EVENTS

1. Rhymester

Time limit: Will be specified when you get your A4 sheets

Topics will be provided on the day of the event

Twinkle twinkle little star

How I wonder what you are!

Up above the world so high

Like a diamond in the sky!

Most nursery rhymes are composed of seven syllable quatrains rhyming aabb. It is quite simple, but not so easy. Dig deep into your nursery memories and write an inspired one. We will be Copyscaping the entries, so beware of pulling it off the Internet!

2. Cover Designer – Individual event

To be submitted by March 3, 2012 midnight

Have you ever felt that a book cover from one those bedtime story books could have been designed better? Offer a different design, complete with even the book’s title on it!

Submit your designs by mailing them as attachments to theenglishassociation@gmail.com before the deadline to be eligible for the prize. Please do register yourself for the competition at www.tinyurl.com/register-akara. The Prize will be announced on the day of the event. Be there to collect it.

3. Make Your Mascot – Team event – 2 per team

Time limit: Will be specified when you get your A4 sheets

Make a mascot for a purpose close to your heart and write a jingle to complete the design. Make it lively on paper! The jingle could be a rhyme, limerick or a song! Creativity and originality get better shades of admiration.

Day 2 (March 6)

ON STAGE EVENTS

Performance Storytelling Competition – Individual event –  Do you have a story to tell? Can you perform the narration on stage? Have you seen the famous sequence where Nagesh narrates a horror story to Ballayya in the classic comedy film Kadhalikka Neramillai? Can you render a lively and creative performance of  your original script on stage? Then this is for you! Bring your script to Akāra and Akāra will bring to you the stage!

Event Registration: DEADLINE EXTENDED

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Thank you all for the great response we received today. About thirteen colleges registered their participation with us. We would like to apologise to all invitees for the inappropriate deadline we set for registration. We sent the invitations too late for it to be met. So please do not worry about it and keep applying. We shall take in registration till at least February 21. Please stick to this online registration form while registering.

After all, what are deadlines for, if not to be broken?

Any queries? Reach us at english.mcc@live.in

Creative Writing Workshop

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Fun though the workshop would assuredly be, the number of persons who can join the workshop group is very limited and we have to resort to a first-come-first-served basis in this regard. Please register separately for the workshop before the 25th of February. The workshop will be conducted in two batches. Prakriti Foundation, along with The English Association, assures you a fun-filled informative workshop!

The workshop will be conducted by Ms. Sharanya Manivannan, who had been penning the column The Venus Flytrap for the Zeitgeist supplement of The Indian Express, with Dr. Prabakar Thyagarajan, poet and a medical doctor by profession. Since only a limited number of participants can be accommodated, those interested please register ASAP through an e-mail to english.mcc@live.in.

Sing a Poem

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“From harmony, from heavenly harmony

This universal frame began.” said Dryden.

We have a musical harmony for akāra, notes of harmony from which our form was born.

Theme music for akāra complete with a trailer is on the cutting board, thanks to Ajin Abraham, Samuel Praise and Cerin Simon, three among the budding musicians from our department… Which reminds us of Full-Throated Ease, our Sing-A-Poem competition. We are really looking forward to meeting young musicians with dreams of composing their own music. It will be ideal to pick poems with a lyrical quality about them, poems abounding in refrains and so on. While tunes can be “flicked” and infused into poems, original music will be most appreciated by our jury! If you are singing for a cause (say a poem on women’s rights or post-colonial angst) even visual representations such as videos are welcome additions!

The maximum number of members in one team will be eight.

Original poetry is also welcome! In fact, we at akāra are on the look out for display of original poetry in most of the events and it shall be the basis for picking the best poet for the day.

There is some confusion regarding the cash prizes with regard to Full-Throated Ease since individual as well as group events are welcome. It may be resolved thus:

1)      The basic idea is to ensure a cash prize of at least Rs.1000 to the person who emerges first in place in the competition.

2)      If one person alone contests, the first prize will be Rs.1000, second Rs.750 and third Rs.500.

3)      If two persons as a team contents, the first prize will be Rs.2000, second Rs.1500 and third Rs.1000.

4)      A group of three falls under the Group Events category which has already been dealt with.

Performance Poetry

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Perhaps no other form has been more popular than performance poetry, of late. For those who have reservations about what exactly it entails and how different it is from traditional recitation, can visit us at http://www.facebook.com/akara.mcc for more details. Danish performance poet, Mr. Claus Ankersen, will be present at the event.

Pick a poem of your choice and perform it on stage. Recite the poem with appropriate gestures and voice modulation, so as to create the right effect. Establish a contact with, and gain the undivided attention of the listeners. Originial poetry will be greatly appreciated.

PLEASE NOTE – We have decided to make the competition a little more flexible and less exam-like by dropping the rule about memorizing the poem. In fact, on a second thought, the idea of forcing out participants to mug up seems geeky of us 🙂 … So participants can carry the poem with them to look into while performing. Cheers!!!

  • Any number of individuals per college can participate.
  • Time limit – 5 minutes.
  • Costumes and props not allowed.

Will The Real Poet Please Stand Up???

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Guys, we will be on the look-out for that one person who outshines all the others on the day of the event, especially the creative writing and performance poetry – of which the latter will be appreciated more if the poems performed are original. Whichever be the medium, the participant who has managed to capture the essence of poetry best will be given the award. Total points secured in all the competitions will be one of the factors in deciding this, of course.

It is ALL about ORIGINAL POETRY at Poesia Letra. We keep repeating this again and again to all our participants because they must all have an eye on The Best Poet award for the day and in order to choose the Best Poet we will be keeping a tag on that one person who dazzles us with his/her poetic genius. While presenting famous poetry does indeed require a lot of passion and talent, presenting your own poems wherever the competition frame-work allows, is what will eventually grab Akāra’s attention!

So…

Original Poetry!

Original Poetry!

Which is what we are looking for on March 01,2011 at Madras Christian College!

Cheers!

Paint a Poem

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The Chief Guest for the day, Mr.Eugene D’Vaz, is a painter-poet and those good on the easel are in for a real treat! Mr. D’Vaz himself has painted hundreds of poems, most notable among which is his pictorial representation of Gitanjali, verse by verse. We have arranged for an exhibition of the same at the venue!

For the Paint A Poem competition, a wide range of short and picturesque poems shall be given, from which the participants can choose one, and create a visual representation on paper. Chart papers will be provided at the venue. The paintings will be judged by Mr. D’Vaz himself.

  • Any number of individuals per college can participate.
  • Participants are requested to bring their own painting material.
  • Time given to complete the painting – 1 hour 30 minutes.

Dramatise a Poem

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The whole thing, obviously, is all about innovation. Although we are looking forward to seeing the akāra stage full of wildest interpretations over this genre fusion, it does seem unfair to leave our participants completely clueless. However, we are nobody to dictate any hard and fast rules about ‘Dramatize A Poem’, simply because there are NO hard and fast rules and it would be ridiculous to have any.

Here is a tentative proposal however.
The following poems are among the most dramatisable ever…

DADDY – Sylvia Plath
NIGHT OF THE SCORPION – Nissim Ezekiel
MY LAST DUCHESS – Robert Browning
THE FORSAKEN MERMAN – Matthew Arnold
THE RIME OF THE ANCIENT MARINER – Coleridge
ULYSSES – Alfred Tennyson
FLUTE-MUSIC – Rabindranath Tagore

A suggestion would be to pick up on dramatic monologues which fit into the form a play quite snugly. No servile reproduction of facts is expected. This is where you can use and even abuse poetic justice. The focus will be on how dialogues are managed. We are interested to see HOW you will manage the genre shift! Perhaps the most challenging aspect of this competition would be the fact that most poems have no scope for a dramatic structure. While there may be an exposition, there is mostly no denoument – which will have to be created. If not, the script may repeatedly lean towards absurdism whether we like it or not!

While any number of teams can participate from each college, it will be ideal to keep the number of MEMBERS PER TEAM to a bare minimum. We have in mind a team comprising of not more than three or four members presenting a short, crisp and keen dramatization of a poem.

We prefer the dramatization of well-known poems, though there are no formal bars on the choice of poems.

akāra 2011: Competitions

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Performance Poetry (Individual)

Pick a poem of your choice and perform it on stage. Recite the poem with appropriate gestures and voice modulation, so as to create the right effect. Establish a contact with, and gain the undivided attention of the listeners. Poems need not be memorized and can be read out. Utilization of stage space is appreciated.

  • Any number of individuals per college can participate.
  • Time limit – 5 minutes.
  • Costumes and props not allowed.

Dramatize a poem (Group)

Fuse the two genres of poetry and theatre and present a poem in the form of a skit or a short play. Participants can use their imagination to represent the essence and ambience of a poem in the form of a play – all kinds of innovations and creative techniques are welcome. Give a free rein to your imagination! We are looking forward to short, crisp and striking plays.

  • A college can send not more than 2 teams and each team should consist of not more than 3 to 4 members.
  • Props and costumes are allowed.
  • Time limit – 8+2 minutes including stage set-up.

STROKES OF METRE – Paint a Poem (Individual)

From a wide range of short and picturesque poems, the participants can choose one, and create a visual representation of the same on a chart paper. Chart papers will be provided at the venue.

  • Any number of individuals per college can participate.
  • Participants are requested to bring their own painting material.
  • Time given to complete the painting – 1 hour 30 minutes.

FULL – THROATED EASE – Musical Poetry (Group and Individual)

Infuse music into poetry and render a composition of your own making, with or without accompanying instruments. Both individual as well as group performances are welcome.

  • A maximum of two performances per college are allowed. One team can consist of not more than 8 members.
  • Time limit – 5+2 minutes.
  • Musical instruments will not be provided, except the keyboard.

PEN – A – POEM – Creative Writing (Individual)

Topics /Themes/Photographs to choose from will be given on the spot and participants can pen a poem based on any one of them. Ample choices will be provided so that creativity is least restricted.

  • Time limit – 2 hours + 30 minutes.
  • The work should be completely original. If any similarity with existing works is intended, it should be stated separately.
  • Any number of individuals per college can participate.

akāra: Highlights

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akāra 2011 – Poesia Letra

akāra – Poesia Letra, (01 March 2011) the Poetry Festival at Madras Christian College, provides a platform for aspiring young poets across Tamil Nadu to showcase their talents; an opportunity to win attractive cash prizes and to walk away with The Best Poet award.

Prakriti foundation, an organisation which promotes inquiries into cultural heritage and inheritance through literary events, will co-ordinate with us in conducting an exclusive Poetry-writing Workshop by Ms.Sharanya Manivannan and Dr.Prabakar Thyagarajan, a poet and a doctor based in Boston. They will also bring to akāra, an established performance poet of Danish origin, Mr.Claus Ankersen. The workshop will have a maximum of 30 participants only. Register as soon as possible (through e-mail to english.mcc@live.in) because the opportunity to participate in it will be on a first-come-first-serve basis. Rs.50 will be collected as registration fee on that day.

The Chief Guest for the day will be painter-poet Mr. Eugene D’Vaz, a retired professor of the St. Joseph’s College, Trichy. Of his many illustrations, including the 103 verses of Gitanjali by Tagore, a select few will be on display at the venue.

Invites have been sent to over 200 colleges in and around Tamil Nadu.

Cash prizes up to Rs. 25000 are to be given away.

Individual events (3)
First Prize (1000 x 3) 3000
Second Prize (750 x 3) 2250
Third Prize (500 x 3) 1500
Group Events (2)
First Prize (3000 x 2) 6000
Second Prize (2250 x 2) 4500
Third Prize (1500 x 2) 3000
Best poet (1)
3000
The event will be covered by Deccan Chronicle and The Hindu NXg.

Updates of akāra and detailed information on events will be put up on http://www.facebook.com/akara.mcc and https://formisborn.wordpress.com

For correspondence, mail us at english.mcc@live.in
Call us at +91 97910 10708; +91 90032 27970; +91 99943 56538; +91 91767 08252

Participants are requested to REGISTER THROUGH E-MAIL ON OR BEFORE 12 FEBRUARY 2011. Once participation is confirmed, final updates, including posters and brochures will reach you before February 16.